Twilight Zone the Book of the Black Art Elisode
| "The Bard" | |
|---|---|
| The Twilight Zone episode | |
 Burt Reynolds and John Williams in a scene from "The Bard" | |
| Episode no. | Season 4 Episode eighteen |
| Directed by | David Butler |
| Written by | Rod Serling |
| Featured music | Fred Steiner |
| Production code | 4852 |
| Original air date | May 23, 1963 (1963-05-23) |
| Invitee appearances | |
| Jack Weston John Williams Burt Reynolds Henry Lascoe John McGiver Howard McNear Judy Strangis Marge Redmond Doro Merande William Lanteau Clegg Hoyt John Newton John Bose Rudy Bowman | |
"The Bard" is an episode of the American television anthology series The Twilight Zone. Information technology was the final episode of The Twilight Zone to exist one hour long. A direct satire of the American television industry, the episode features a parody of Marlon Brando past Burt Reynolds, and concerns an inept screenwriter, who through the use of black magic, employs William Shakespeare as his ghostwriter.
Opening narration [edit]
You've but witnessed opportunity, if non knocking, at to the lowest degree scratching plaintively on a closed door. Mr. Julius Moomer, a would-be author, who if talent came 25 cents a pound, would be worth less than car fare. But, in a moment, Mr. Moomer, through the offices of some blackness magic, is nigh to embark on a brand-new career. And although he may never get a writing credit on the Twilight Zone, he's to become an integral character in it.
Plot [edit]
A bumbling screenwriter, Julius Chiliad. Moomer, is condign desperate for a sale after years working on unproduced scripts. When his agent mentions that he is submitting another writer'southward pitch for a television serial most black magic, Julius pleads to be immune to exist given first crack at the series. Knowing nothing about the subject, he attempts some research, but turns up but an actual book of blackness magic. While experimenting with the book, he accidentally conjures William Shakespeare, who says he is at the service of the conjurer. Deciding non to waste product Shakespeare's talent on a television airplane pilot, Julius directs him to write a flick.
The producers make up one's mind that Shakespeare'south script, The Tragic Cycle, though archaic to the point of existence almost incomprehensible, has potential. His task finished, Shakespeare proposes to leave. Julius argues that if he stops writing at present, Shakespeare volition lose his chance at Hollywood fame and get forgotten. Shakespeare at last says he will nourish a rehearsal for the moving-picture show and stay on if it does justice to his script. At the rehearsal, he is and then horrified at the revisions past the sponsor that he assaults the leading man and storms out. Julius's adjacent consignment, a Television receiver special on American history, seems doomed to failure until he remembers his book on black magic, and uses it to conjure up Robert E. Lee, Ulysses S. Grant, Abraham Lincoln, George Washington, Pocahontas, Daniel Boone, Benjamin Franklin, and Theodore Roosevelt to act as consultants.
Closing narration [edit]
Mr. Julius Moomer, a streetcar conductor with delusions of authorship, and if the tale simply told seems a trivial tall, call up a affair called poetic license, and another thing called the Twilight Zone.
Cast [edit]
- Jack Weston every bit Julius Moomer
- John Williams as William Shakespeare
- Burt Reynolds as Rocky Rhodes
- Henry Lascoe every bit Gerald Hugo
- John McGiver every bit Mr. Shannon
- Howard McNear equally Bramhoff
- Judy Strangis as Cora
- Marge Redmond equally Secretary
- Doro Merande as Sadie
- William Lanteau as Dolan
- Clegg Hoyt every bit Bus driver
- John Newton as Television set interviewer
- John Bose equally Daniel Boone (uncredited)
- Rudy Bowman as Robert E. Lee (uncredited)
Notes: Weston and McGiver were previously in earlier episodes, "The Monsters Are Due on Maple Street" and "Sounds and Silences".
Product history [edit]
The episode was likely written past Rod Serling equally a reaction to the ad executives with whom he dealt regularly while producing for television. In the book The Twilight Zone Companion, Serling is quoted as saying that things were and so bad with the overcautious executives that "one could non ford a river if Chevy was the sponsor."
The thespian portrayed by Burt Reynolds satirizes Marlon Brando's style of method acting, augmented by the close concrete resemblance between Reynolds and Brando during that period.
The episode was too featured in the terminal episode of The Sopranos, in 2007, "Made in America". Tony Soprano, the protagonist of the series, is seen watching this episode while in hiding from his enemies in a rubber house.
References [edit]
- Zicree, Marc Scott: The Twilight Zone Companion. Sillman-James Press, 1982 (second edition)
- DeVoe, Bill. (2008). Trivia from The Twilight Zone. Albany, GA: Behave Estate Media. ISBN 978-1-59393-136-0
- Grams, Martin. (2008). The Twilight Zone: Unlocking the Door to a Television Classic. Churchville, MD: OTR Publishing. ISBN 978-0-9703310-9-0
External links [edit]
- "The Bard" at IMDb
Source: https://en.wikipedia.org/wiki/The_Bard_(The_Twilight_Zone)
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